Environment artist
crafting cinematic worlds
for animation & VFX.

Solo entry for the 2025 Pixar RenderMan Art Challenge — built almost entirely procedurally in Houdini. From modeling and texturing to lookdev, lighting and final compositing in Nuke. The ambulance was the provided challenge asset; everything else is original.

Exterior environments for the Menace cinematic trailer — abandoned factories, muddy terrains and structural damage. Built procedurally in Houdini with custom tools for debris scattering and road generation, rendered in Karma through a Solaris/USD pipeline.

Real-time looping environment used as the main menu background of Menace. Built in Unreal Engine 5 — atmosphere, lighting and composition tuned to read instantly on the title screen and hold up under continuous looping.

Animated short following a freshly hatched duckling. Responsible for almost every environment in the film. Built on a stable Solaris/USD pipeline with procedural scattering setups (moss, mushrooms, foliage) controlled through attribute painting for full art direction.

Procedural moss scattering — RnD